And I asked him to conduct a screen test,” the actor says, adding, “I was ready to do the film as soon as possible.”Andhadhun directed by Sriram Raghavan also stars Tabu and Radhika Apte as the female leads.The actor reveals that the film represents a deliberate effort on his part to step out of his comfort zone. Ayushmann Khurrana Ayushmann Khurrana, who has been experimenting with some rather interesting roles, will soon be seen playing a China Contour screw blind pianist in Sriram Raghavan’s Andhadhun.  
I knew that it would be a game changer for me. The actor reveals that the film represents a deliberate effort on his part to step out of his comfort zone.“It was a deliberate decision to move away from slice-of-life films.“I told him (Mukesh) that since the character was that of a musician, and I was a musician in real life, I would be able to learn his mannerisms faster than a non-musician.
I don’t think you need to reinvent yourself with every film, but you should establish yourself in a particular genre and then break the mould,” Ayushmann says.. When he heard about the mystery-thriller through casting director Mukesh Chabbra, he made sure he bagged a part in it.He adds that he didn’t just wait for an interesting project to land in his lap

The stakes for the two parties are indeed very high. Being nice to other parties is not among Mr Modi’s core strengths and he would rather continue to be in the Ekla Chalo Re mould. Additionally, despite the Modi wave, the BJP won two seats less in 2014 than its tally in 2009. This showed Mr Modi’s relatively poorer popularity in the South.Prime Minister Narendra Modi (Photo: PTI)The outcome of the last China guide post guide sleeves factory 10 days of campaigning for the Karnataka Assembly elections will cast considerable light on how the Lok Sabha polls may play out whenever they are held, in April-May 2019 or earlier.
The verdict in Karnataka will demonstrate if Indian voters are still handing out decisive mandates or if the outcome in Gujarat was not an aberration, instead marking the return of closer contests even in bipolar states. Deve Gowda — and a similar response — must be read against this backdrop. Already, its wooing of Mr Deve Gowda stands in sharp contrast to the BJP’s deteriorating ties with its allies.So far, the Congress in Karnataka has disallowed any “nationalisation” of the election, contesting it on local issues. The moot question is whether voters continue viewing elections as a “referendum” of sorts on Mr Modi and his claims/promises or if they are willing to return to the era of “non-national” polls.
Karnataka has been the BJP’s gateway to the South since 1991 and it cannot afford the door being shut on it. In Karnataka, this was attempted over two years on the legacy of Tipu Sultan, but sensing the state icon’s religious identity not having the capacity to whip up prejudice towards Muslims, the issue has been underplayed during elections.

But it’s also amazing. It’s amazing to work with great actors. “I oppose these terms like catfights because it curbs your artistic freedom. His knowledge of art is so vast.However, the actress is irked at rumours of a ‘catfight’ with her co-star Richa Chadha on the sets of the movie. However, Aditi prefers to keep mum about that project yet. “With every take, he will add another layer to the movie.”She adds, “Why should we be locked in stereotypical boxes? I feel really sad.  
The way he indulges with his actors is also amazing. The actress will be seen in Daasdev next, a movie by Sudhir China plastic mold parts Mishra.Aditi Rao HydariAditi Rao Hydari is quite relieved with the release of Padmaavat, but she has to quickly move on to other projects in the pipeline. And so, it’s always a challenge. He will give you time to get into the mould of the character. You don’t get anything by putting somebody else down. She says that while she’s had a great time working with Sanjay Leela Bhansali, it can get challenging after a while. Then, he really pushes you and he will not settle for anything less. “It’s such a done-to-death thing,” she groans.  
I feel it’s really sad.”Besides Daasdev, the actress will also work with one of her favourite directors, Mani Ratnam again.end-ofTags: aditi rao hydari, padmaavat, daasdev. The actress believes that reports of fights on the sets take away from art. It’s also a learning experience.“He’s a tough taskmaster, and really challenges you,” says Aditi.”Despite this, Aditi cannot help revel in the success of Padmaavat.

“But such scope comes on very few occasions, not regularly,” Prosenjit told PTI on Wednesday. “That does not mean I find my character in films made by other directors as monotonous. Not sure if the father-son relationship in Mayurakshi, slated for release in December end, mirrors his personal ties with Soumitra Chatterjee, whom he considers next to father Biswajit Chatterjee, Prosenjit said, “Even if it does not convey the exact shades in our lives, there are real life references. Stating that each genre of film follows its own type of script, Prosenjit said, “When I turn up in a film like Bikram Singha, my acting will be different from Dosar, which will be again different in Yeti Obhijaan where I play the role of Kakababu.
“Many a time, thoughts come up whether we are all stuck up within the conventional acting mode,” the filmstar said. “Hence we had no difficulty in essaying the scenes although I learnt a lot from Soumitrakaku during the shots. Prosenjit will also rate Moner Manush, Jaatishwar and Sankhachil as his favourite films for following a very “simple narrative style”.” The actor also said, “each film has its own target audience. But definitely, when the director asks you to break yourself and then mould it again, you obviously get a bit more space,” he said. Every film maker has his own individual style.”
“Many a time, thoughts come up whether we are all stuck up within the conventional acting mode,” the filmstar said. “You can see such  China Limit clamp series factory type of films are increasingly being made in Mumbai film industry where the acting style, form and treatment back up such narratives,” he said.“I think, moments of silence are also not much used in Bengali films,” he felt. 
Prosenjit ChatterjeeKolkata: Bengali superstar Prosenjit Chatterjee has said he does not always get the scope to come out from the conventional acting mode, except in very few films.”Speaking on the use of silence in cinema, Prosenjit again referred to ‘Dosar’ which was made in 2008 and said even in ‘Mayurakshi’, where he is pitted opposite thespian Soumitra Chatterjee, there are moments, when silence is more evocative than words. Films such as Rituparno Ghosh’s Dosar or Atanu Ghosh’s upcoming Mayurakshi gave him the scope to come out of the conventional mode, the actor said

Swami Chaitanya KeertiThe writer, editor of Osho World Osho points out that the educator, from kindergarten to university, is in the service of the vested interests, is in the service of the establishment. The greatest tragedy is being convinced we are not. When you don’t respect yourself, how can you respect anybody else?We can remember the words of wisdom of Lao Tzu, the Chinese mystic to Confucius: “All you  Twist Drill suppliers good people of the world relax and be peaceful.. In thousand and one ways, they are made to feel unwelcome if the children are not obedient.  
That’s why all your love is bogus and all your respect is pseudo, phoney.”This unfortunately is the experience of most of the children being brought up in a society, which is strangely very judgmental. There is a fear.An obedient child will get more love and respect than the other children who will get rejected directly or indirectly. This is what we see happening all around us.
His whole purpose is to destroy every child in such a way, to cripple every child in such a way, that he adjusts to the established society. It may be their unconscious conditioning. The rejected children, if they are courageous, become rebellious later on. They seem to have some kind of vested interest. This happens almost everywhere that the young people when they grow up to be strong and powerful, they become revengeful and destructive. They have to be supported according to their nature, that needs love and nourishment, and no judgement and condemnation. With all good intentions they mould the growing child into their idea of perfection. And nobody wants rebels; everybody wants obedient people.Osho points out that the educator, from kindergarten to university, is in the service of the vested interests, is in the service of the establishment.
It is cathartic. Most of us have gone through this unpleasant experience in our early life when we were dependent on our family and teachers. Stop all talks of goodness and you will find that if you are strong enough to let go of goodness also, evil will fall of itself…”end-ofTags: osho. The children are not given an environment of love and acceptance to grow as they are supposed to grow, or to allow their natural potential to manifest. The fear is that if the child is left unconditioned from the very beginning he will be so intelligent, alert and aware, that his whole lifestyle will be of rebellion..Osho says: “A real father, a real mother, real parents will be a blessing to the child.